RADIO / PODCAST

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FILM / ORCHESTRAL

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THEATRE SONGWRITING

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THEATRE UNDERSCORE

Represented by Sandra Chalmers at Shepherd Management - 0207 420 9350

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new & recent

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Original music and editor for new podcast YOUR CALL

By Josie and Shôn Dale-Jones
Commissioned by BBC Arts and Arts Council England

Coming soon to BBC Sounds

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New soundtrack for podcast DEAD HONEST

Fascinating interviews with people who work with the Dying and the Dead

By Georgie Vestey

On all major podcast players, or listen via the website

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Score composition for LA Theatre Works new production of FRANKENSTEIN

By Sony Gold award-winner Kate McAll
Featuring Stacy Keach

At the James Bridges Theater, Los Angeles, then broadcast on radio in the US and worldwide

More details on how to listen here soon

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Sound Designer for OLIVER TWIST

Adapted by Bryony Lavery

Produced by  Ramps On The Moon and
Leeds Playhouse

Tour postponed due to the Coronavirus outbreak - hopefully completing the tour to New Wolsey Ipswich, Nottingham Playhouse, Birmingham Rep, Sheffield Crucible and Theatre Royal Stratford East in due course

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Composer & Sound Designer for MUCKERS

By Caroline Horton

Developed at Conde Duque, Madrid, in co-production with The Egg Bath

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Original music and sound design for STILL FLOATING

A new show by Shôn Dale-Jones

Produced by Hoipolloi

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Transcription and arrangement of scores for theatres including the National Theatre and Kneehigh Theatre

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coming up...

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Composition/Sound Design for NOTHING HAPPENS (TWICE)

By Little Soldier Productions

Inspired by Samuel Beckett
Directed by Ursula Martinez

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Collaborating with Shôn Dale-Jones on the music and sound design for a new show, A POSSIBLE ENDING

Produced by Hoipolloi in co-production with National Theatre Wales

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Composer/Musical Director and collaborating on lyrics for a new version of Mike Kenny's adaptation of THE RAILWAY CHILDREN

Produced by Hull Truck Theatre
December 20/January 21

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Composition/Sound Design/Lyric-writing for
THE FAMILY SEX SHOW

By Josie Dale-Jones and ThisEgg

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John Biddle’s sumptuous choral score is key to this slick, polished production.

Close to being through-composed, the production is dominated by music, the harmonic power of the ensemble a statement of collective action in itself
 
THE GUARDIAN
on Oliver Twist

John Biddle’s driving, ever-present score drenches everything in an atmosphere
at once spooky and familiar
 
EXEUNT
on Unconditional

John Biddle's sound design adds detail to the play-world with a volatile blend of unsettling foley and amplification ... an exciting texture

WHAT'S ON STAGE
on Oliver Twist

The songs by John Biddle, given gutsy ensemble renditions, add variety to a show with narrative clout
 
THE GUARDIAN
on A Christmas Carol

The live music and songs are essential to the plot, and have an edgy, raw quality.
There’s something of the indie rock gig about this performance

LONDONIST
on Rift Zone

Everything perfect: light, angry, galvanising, kind
- Maddy Costa

Stimulating work ... STILL WAITING urged action
- Susanna Clapp

THE OBSERVER
on Still Waiting

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CREDITS AND THANKS
WORDS:  Pentonville Waltz - Deborah McAndrew
VOCALS:  Pentonville Waltz - Lauryn Redding  |  Radio/Podcast & Come Away Death - Jessica Dives  |  Theatre Underscores - Philippa Hogg
PHOTOS:  Frankenstein - Brian Cahn  |  Oliver Twist - Ant Robling  |  Still Floating - Ryd Cook